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CD 1

1. My Sound That Goes Around - Prince Buster & His Torch Lighters
2. They Got To Go - Prince Buster & His Torch Lighters
3. Tell Me Why - The Blues Busters
4. I've Done You Wrong - The Blues Busters
5. Lonely Days - Owen Gray & Sonny Bradshaw Quartet
6. No Good Woman - Owen Gray & Sonny Bradshaw Quartet
7. Fool's Day - Lloyd Clarke & Reco's All Stars
8. You're A Cheat - Lloyd Clarke & Reco's All Stars
9. Pack Up Your Troubles - Eric Morris
10. Oh What A Smile Can Do - Eric Morris
11. Oh Shirley - Derrick Morgan And Patsy
12. Sam The Fisherman - Basil Gabidon's Group
13. You Better Be Gone - Beresford Ricketts & The Blue Beats
14. I've Been Walking - Beresford Ricketts & The Blue Beats
15. Keep It In Mind - Owen Gray
16. Do You Want To Jump - Owen Gray
17. Lucille - Laurel Aitken & The Blue Beats
18. I Love You More Everyday - Laurel Aitken & The Blue Beats

CD 2

1. Are You Going To Marry Me? - Derrick Morgan & Patsy
2. Troubles - Derrick Morgan & Patsy
3. Iverene - Basil Gabbidon
4. Lover Man - Basil Gabbidon
5. Four Corners Of The World - Roland Alphonso & The Alley Cats
6. Romantic Shuffle - The Shiners
7. Best Twist - Owen Gray
8. Grandma, Grandpa - Owen Gray & The City Slickers
9. Crying Over You - The Charmers with Prince Buster
10. Now You Want To Cry - The Charmers with Prince Buster
11. G.I. Lady  - Eric Morris & Prince Buster All Stars
12. Going To The River - Eric Morris & Prince Buster All Stars
13. Independence Song - Prince Buster & Blue Beats
14. Aug-62 - Rico & His Blues Band
15. Murder - Leo & Owen with Drumbago All Stars
16. Fourty Four - Roy Panton with Drumbago All Stars

CD 3

1. My Happy Home - Roy & Patsy Hersang & Combo
2. In Your Arms Dear - Roy & Patsy Hersang & Combo
3. Twelve Minutes To Go - Duke Reid Group
4. Midnight - Hortense Ellis & Duke Reid Group
5. Sixty Days & Sixty Nights - Laurel Aitken & Les Dawson Combo
6. Going To Kansas City - Laurel Aitken & Les Dawson Combo
7. Crying In The Chapel - Derrick & Patsy & Duke Reid Group
8. Come Back My Love - Derrick & Patsy & Duke Reid Group
9. Give Me A Chance - Lloyd Robinson & Rico Rodriguez
10. When You Walk - Lloyd Robinson & Rico Rodriguez
11. Oh My Love - Derrick & Patsy
12. Let's Go To The Party - Derrick & Pasty
13. Independent Blues - B.Gabbidon
14. For You My Love - B.Gabbidon
15. When It's Spring - Keith And Enid with Sonny Bradshaw Orchestra
16. True Love - Keith And Enid with Sonny Bradshaw Orchestra

The History Of Blue Beat: The Birth Of Ska (BB101 - BB125 A & B sides)

Artist Various Artists

Format 3CD

Cat No NOT3CD119

Bar-Code 5060342021199

Availability: In stock

OR


The sound of Jamaica in the early Sixties was bluebeat, dance music that ‘had a good beat and was bluesy’. The definition came from Sigmund ‘Siggy’ Jackson, the man who licensed the music from the island’s record labels and brought it to London where Emile E Shalit’s Melodisc Records took it to the market.

This is the fifth in an ongoing series of compilations of Blue Beat singles, issued in 1962: more than 400 singles plus a handful of LPs were released in the label’s seven-year lifespan. Only one (Prince Buster’s release ‘Al Capone’) made the UK charts, but the label proved so influential that its name came to define a genre.

We kick off with Prince Buster, Blue Beat’s most prolific artist. Born Cecil Bustamente Campbell in 1938, he fast became one of the music’s poster boys, blazing a trail in both London and Jamaica. Opening track ‘My Sound That Goes Around’ has definite echoes of Fats Domino, the New Orleans R&B pianist whose music had been beamed to Jamaica from US radio stations for several years. But Buster filtered this though his own unique musical personality, and the result was a legendary figure to whom Madness (who took their name from one of his songs) paid tribute in 1979 with their own composition, ‘The Prince’.

In 1960 Owen Gray was one of the first artists to be produced by Chris Blackwell; indeed, his ‘Patricia’ single was the first record ever released by Blackwell’s Island Records. The singer was invited to London, but as soon as he arrived was spirited away and signed to Blue Beat. In the Eighties Gray, who offers three singles here, would relocate to Miami, and now concentrates on ballads and religious music.

Next up was Laurel Aitken, known to many as the ‘Godfather of Ska’. Cuban-born Aitken moved to London in 1960 and over the next few years would help establish Blue Beat as the UK’s most recognisable West Indian music imprint. ‘Lucille’ is no relation to the frenetic Little Richard hit but a loping and equally infectious dance number. As with Prince Buster, the horn-punctuated New Orleans influence is apparent.

Trench Town singer Eric ‘Monty’ Morris, best remembered perhaps as the original vocalist for the Skatalites, is featured here on two singles backed by Prince Buster and also legendary drummer Drumbago. Real name Arkland Parks, Drumbago was one of the unsung creators of Jamaican music, and Morris admired his ‘melodious drumming to the music’.

Hortense Ellis was known as ‘Jamaica’s First Lady of Song’ and was the younger sister of singer Alton Ellis. She was just 18 years old when she appeared on The Vere Johns Opportunity Hour, Jamaican radio’s foremost outlet for young talent. In 1964 she was awarded a silver cup as Jamaica’s Best Female Vocalist, a feat she was to repeat five years later.

Millicent ‘Patsy’ Todd was another female singer making a mark on the Jamaican music map. She grew up with Prince Buster as a neighbour but moved to the United States on the late Sixties to work as a medical secretary in Manhattan. ‘We weren’t being paid, it was like working for nothing. Artistes were getting something like £5 a side those days,’ she explained.

She features in two pairings here, with Roy Panton as Roy & Patsy (backed by Hersang and his Combo) and Derrick Morgan in Derrick & Patsy.  Morgan, who persuaded Patsy to make her disc debut with him in 1959 at the age of 15, was a leading figure in Jamaican music, characterised by his narrow-brimmed pork-pie hat. Panton had various female partners, most notably Millie Small of ‘My Boy Lollipop’ fame, and ended up marrying one, Yvonne Harrison.

Keith And Enid were probably the first male-female vocal pairing to make it big in Jamaica, taking their cues from Shirley & Lee on the American R&B scene. Keith Stewart and Enid Cumberland got together in 1958 and sang together until the late Sixties. The Jamaica Observer described Keith’s smooth-voice as ‘a vocal texture that lacked friction’ in their obituary when he died in 2010. He had latterly entertained tourists with mento and folk songs on the hotel circuit on the island’s North Coast.

Jamaica achieved independence from Britain in 1962, a phenomenon addressed by ‘Independent Blues’ by B (Basil) Gabbidon and ‘Independence Song’ by Prince Buster & Blue Beats. These classics were undoubtedly dusted down in 2012 when the 50th anniversary was celebrated. The deed was done on 6 August, hence the B-side of Buster’s offering featuring celebrated trombonist Rico Rodriguez.

Jamaican music from the golden era survives and thrives in the digital domain on labels like Trojan, Island, Studio One and Beverley’s. Now Blue Beat is joining them on the island’s roll of honour. Enjoy these 25 singles – 50 sides of musical sunshine.




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